Member Fable

Despite not living up to some of the promises made by Peter Molyneux during its production, Fable is a great RPG and one of the standout Xbox titles. The freedom to play as a virtuous hero or a vile hellion is reason enough to play through this title twice and as short as the main quest is, that isn't nearly as demanding of a request as it would be with some other RPGs. A year later Fable: The Lost Chapters was released which featured an additional chapter with a new area and enemies at the end of the game along with some additional side quests and minor features. For the tenth anniversary an updated version of Fable: The Lost Chapters was released as Fable Anniversary for Xbox 360, which was a bug riddled mess on its initial release. It has been improved somewhat through patches but playing Fable: The Lost Chapters on the original Xbox is the recommended way to go if at all possible, though any RPG fan should experience this title in some capacity, even if Fable Anniversary is the most realistic option. Fable II was a well done follow up and the less said about Fable III the better.


Based on the Fables comic books by Bill Willingham, The Wolf Among Us is a cool, noir detective story with a fantasy twist. When characters from fairy tales are exiled to live in the human world, the Big Bad Wolf changes his ways and becomes Sheriff Bigby Wolf, the lawkeeper of Fabletown. After discovering the horrible murder of a young woman, Bigby embarks on a desperate hunt for a serial killer and along the way finds himself digging deeper into the corruption and organized crime at the heart of the Fable community. It's a tense story with plenty of interesting characters, and it has the potential to be a great crime thriller movie - with a talking pig as a bo


There aren't all that many good movies based on video games, but maybe that's just because the right adaptation hasn't come along yet. Video games are more cinematic and visually impressive now than ever before, and their popularity means that Hollywood is continuing to try and find ways of turning major video game franchises into major movie franchi

With a sprawling, graphically intense world part of a near fifteen-hour campaign, Fable: The Journey breaks any conceptions of what a Kinect title can be. It’s not demo material or a novelty release, but an uncompromising adventure game mounts game that weaves an engrossing story while utilizing the full potential of motion control. It doesn’t always work flawlessly, but the sheer ambition alone makes it a must-own for Fable and Kinect fans alike.

Fable eventually was released in 2005 to high anticipation, but the game failed to live up to Molyneux’s sky-high aspirations. The game earned acclaim for its real-time combat and various methods of dispatching foes, but the morality system was much more limited than originally pitched (good and evil were the only really distinctive ways to progress in the game) and a number of features such as the children component were missing. The abilities to impact the story and the world around you were disappointingly limited as well. But despite these problems, Fable was still received with enough praise that it became a full-fledged series, with Fable II dropping in 2008 and Fable III in 2010.

Anyone who's played Fable knows that it fell short of these amazing claims and there's a good chance they felt disappointed when they saw it failed to live up to everything it was supposed to be if they pre-ordered. This is unfortunate, because once we get past Molyneux's grandiose claims for what Fable will be and just accept it for what it actually is, Fable turned out to be a rather impressive final product. Raising children wasn't an option in the first Fable and sadly neither was killing the little brats that ran through the town, but overall the game seemed to match the goals of what Molyneux wanted to create, even though it came in a much more scaled back version of what he raised our expectations to be. The story progressing across a lifetime basically got reduced to the hero would whenever they leveled up and the world didn't seem to change at all from when the hero when from his teenage years to entering his sixties. On the other hand, Fable had a bit of an unexpected Monty Python quality with a narrator. He wasn't the most useful voice as he would typically tell you there is a quest card at the guild or randomly ask "what's that?" but having a disembodied British voice throughout the game was a nice touch.

Fable III was another big moment for Molyneux. The game introduced more management features in ruling the kingdom, but was panned for many of the same simplification qualms that plagued the first Fable . It certainly wasn’t poorly received, but it showed that many of these ideas that Molyneux pitches are ones that are much less practical and efficient within the current state of the medium. If the first part of the Molyneux Paradigm is hyping up a game to ridiculous levels, then the second part is to show unequivocal disdain for the game a ways after release. Fable III has been labeled by Molyneux as a "train wreck," when, all things considered, it really wasn’t. It had flaws, but the things that worked actually worked rather well. This same attitude was also delivered from Molyneux with Fable II . During the lead-up to Fable III , Fable II was considered "rubbish." Everything in the game, from the story to the controls to the aesthetic design, was bashed to no end by Molyneux himself. To make this concept even more surreal, Molyneux has even been severely self-critical to his game Populous , one of the keystones of the god game genre.