Review: Divinity: Original Sin II
Divinity: Original Sin II pulled off the impressive task of taking the kitchen sink approach to game design by cramming as much into it as possible yet somehow making it all work, making it a fantastic title for solo or multiplayer gaming. Playing the Divinity: Original Sin is not required to enjoy this title or its story, though having played the first game will make the experience more rewarding. Everything about Divinity: Original Sin II is of the highest quality and any negatives that could be said are basically nitpicking, such as the camera angles might obscure characters one percent of the time or the inventory set up isn't as nice as you've seen in some other games. No game is perfect, but this one comes closer than most. Larian Studios created a masterpiece with Divinity: Original Sin and using that as a template and listening to player feedback during the development process, they challenged themselves to create a superior successor and accomplished that goal. Divinity: Original Sin II is not only a contender for best game of 2017, but one of the best RPGs ever created. The game could easily take a hundred hours to complete and the interplay between the well-constructed story, gameplay mechanics and player freedom creates a world I could see myself revisiting with different parties just to watch the story unfold differently. Simply put, Divinity: Original Sin II is truly divine.
Divinity: Original Sin was met with universal acclaim when it was introduced over two years ago. This should not be surprising, as the title featured a massive world to explore had almost no restrictions on how the player went about completing it. This story driven adventure featured a multitude of side quests that could be handled in a variety of different manners, resulting in a game experience that becomes uniquely tailored to the player's choices and play style. Creating a worthy follow up to to such a quality game is no small task, but Larian Studios seems to be up to the ambitious task of creating a sequel that doesn't simply match the quality of its predecessor but also surpass it.
Dwarves have the Talent Sturdy, which gives a +5% to Dodging and a +10% max Vitality. Dwarven Guile gives players +1 in Sneaking. The Skill innate to this race is Petrifying Touch. Lizards have the Talent called Sophisticated, which gives them +10% Poison Resistance and +10% Fire Resistance. Spellsong gives dwarves +1 to Persuasion. The Skill built into this race of beings is Dragon's Blaze. The Undead are the living-challenged version of the four races. They will have the Talents of whichever Undead race they choose. In addition, they have the Play Dead Skills. The Undead can also heal from poison and will take damage from standard heal
The tag system is a new feature introduced in this sequel, which allows specific dialog options to become available based on gender, race, profession, and origin story. New tags may be gained and current tags may be lost based on character decisions and achievements. Should the player choose to design a character without an origin story, they will have the choice to add extra tags during the creation process to help personalize the experience by giving the character a unique personality and dialog options. There are presets that allow a character to begin the game better suited for Pasarinko.zeroweb.kr a play style fitting a traditional RPG class such as warrior or rogue but there are no character classes, allowing the character to be customized and built as they progress through the game however the player sees fit. The multiplayer limit has been raised from two player to four player, and players may be in direct conflict with each other during certain quest goals based on origin story, making it a spur of the moment decision to play cooperatively or competitively. There is also the new dynamic music system where the player selects a character's chosen instrument, allowing this instrument to take lead in the soundtrack during crucial moments of combat or story development.
There are some RPGs that hold the player's plan, at least through the beginning parts of the game. Divinity: Original Sin II **** is not one of these games. The player is given objectives and some hints at where they might need to head to accomplish them, but nearly unlimited freedom is given to the player in how they wish to go about it. This freedom on top of proverbially being thrown to the wolves level of hand holding can be overwhelming for players not used to it, but this means how the game unfolds is entirely up to how the player wishes to accomplish the myriad tasks. For example, if you have ever played an RPG and wished you could just hack everyone to death and not have to attend to the errands of an annoying NPC, that freedom exists. I am not suggesting that killing every NPC in the game will lead to the optimal experience with this title, but the freedom is there for anyone who wishes to try it. The barbaric blood path is a choice, the numerous dialog options as well as other behavior choices could make completing the story a very cerebral experience.